Graphite. It's about visibility.
Monochrome. Pure in itself.
Self-sufficient.
Pigment, lying on the surface, carries its own independent power and life.
Powder that cannot be held if it does not want to stay.
There is something sacred about it — alchemy that transforms the invisible into form, the fleeting into the eternal.
Taking the pigment powder in hand, skin meets mind.
Tactility begins where distance ends.
Running one's fingertips, open palm, cheek.
Nothing is fixed.
The material chooses its depth.
The canvas is not stretched — it remains alive, breathing freely.
This is how a new series of works was born, united under the name Second Skin.
It's about dust, the powder that decides to stay, entering the canvas without residue.
___________
Details
— 81 × 92 cm (31.9 × 36.2 in).
— Natural Zecchi pigments, Florence.
— Raw cotton canvas, 180 g/m², Gallarate (Milan), unstretched.
— Black solid wood frame, flat profile 30 × 30 mm, gallery-quality white mat, no glass — 100 × 140 cm (39.4 × 55.1 in).
— Signed and dated on the back. Paris, 2026.
7 000 €. Available as a pair with Second Take I: 14 000 €.
Graphite. It's about visibility.
Monochrome. Pure in itself.
Self-sufficient.
Pigment, lying on the surface, carries its own independent power and life.
Powder that cannot be held if it does not want to stay.
There is something sacred about it — alchemy that transforms the invisible into form, the fleeting into the eternal.
Taking the pigment powder in hand, skin meets mind.
Tactility begins where distance ends.
Running one's fingertips, open palm, cheek.
Nothing is fixed.
The material chooses its depth.
The canvas is not stretched — it remains alive, breathing freely.
This is how a new series of works was born, united under the name Second Skin.
It's about dust, the powder that decides to stay, entering the canvas without residue.
___________
Details
— 81 × 92 cm (31.9 × 36.2 in).
— Natural Zecchi pigments, Florence.
— Raw cotton canvas, 180 g/m², Gallarate (Milan), unstretched.
— Black solid wood frame, flat profile 30 × 30 mm, gallery-quality white mat, no glass — 100 × 140 cm (39.4 × 55.1 in).
— Signed and dated on the back. Paris, 2026.
7 000 €. Available as a pair with Second Take I: 14 000 €.
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