Santalum
Santalum,
110×127 cm
Ink
The technique on paper and canvas is based on ink flows, creating a dynamic tension, balancing on the edge between form and decomposition, between completion and uncertainty.
Ink and water become metaphors of movement, a link between the material and the ephemeral.
The deliberate deformation of the surface, scraping with a construction spatula, tearing, and the addition of rice paper becomes an analogue of skin—its curves, roughness, traces of time, and touch—eliciting in the viewer a literal, tangible desire to touch the textures.
Canvas offers a slower, more layered process, where materials are built up, erased, and reworked to reveal depth and tension.
All my drawings are done not being stretched on frames, leaving them breathing and freely moving.
Santalum,
110×127 cm
Ink
The technique on paper and canvas is based on ink flows, creating a dynamic tension, balancing on the edge between form and decomposition, between completion and uncertainty.
Ink and water become metaphors of movement, a link between the material and the ephemeral.
The deliberate deformation of the surface, scraping with a construction spatula, tearing, and the addition of rice paper becomes an analogue of skin—its curves, roughness, traces of time, and touch—eliciting in the viewer a literal, tangible desire to touch the textures.
Canvas offers a slower, more layered process, where materials are built up, erased, and reworked to reveal depth and tension.
All my drawings are done not being stretched on frames, leaving them breathing and freely moving.
Santalum,
110×127 cm
Ink
The technique on paper and canvas is based on ink flows, creating a dynamic tension, balancing on the edge between form and decomposition, between completion and uncertainty.
Ink and water become metaphors of movement, a link between the material and the ephemeral.
The deliberate deformation of the surface, scraping with a construction spatula, tearing, and the addition of rice paper becomes an analogue of skin—its curves, roughness, traces of time, and touch—eliciting in the viewer a literal, tangible desire to touch the textures.
Canvas offers a slower, more layered process, where materials are built up, erased, and reworked to reveal depth and tension.
All my drawings are done not being stretched on frames, leaving them breathing and freely moving.